I've been long thinking about writing a one-man play for Eszter Csákányi, or, rather, a one-man stage performance in about an hour and a half, in which seven women come to life through Csákányi's voice, body, and dramatic art. It would first of all consist of parallel monologues on fate, parallel situations and sentences, both new and old (the title, for example, I borrowed from one of my short-stories written years ago, the heroine of which is going to have an important role in the performance planned). These seven women of course are one, and the one woman of course is seven or more...
- Lajos Parti Nagy -
At National Theatre, Eszter Csákányi proves all by herself why she is one of the bests.
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